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iSK Recording

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  • Audio Engineering Course

    • Introduction
    • How Audio Changed the World
    • Studio Myths and Facts
    • Lesson 1, Basic Recording Overview
    • Lesson 2, What is Sound
    • Lesson 3, How Sound Flows as Electricity
    • Lesson 4, What is Digital Audio
    • Lesson 5, Describing factors of Sound
    • Lesson 6, Distortion
    • Lesson 7, Signal to Noise Ratio
    • Lesson 8, How Sound Waves Interact
    • Lesson 9, Phase
    • Lesson 10, Room Acoustics
    • Lesson 11, Analog Audio Cables
    • Lesson 12, Digital Audio Formats
    • Lesson 13, Microphone Types
    • Lesson 14, Microphone Polar Patterns
    • Lesson 15, Interface Inputs and Outputs
    • Lesson 16, Signal Routing
    • Lesson 17, Sends and Returns
    • Lesson 18, Interference and Hum
    • Lesson 19, The Recording Chain
    • Lesson 20, Source
    • Lesson 21, What Microphones Do Your Need
    • Lesson 22, Recording Interface
    • Lesson 23, Preamps
    • Lesson 24, Convertors
    • Lesson 25, Computer for Audio Recording
    • Lesson 26, The DAW
    • Lesson 27, Using Plugins within the DAW
    • Lesson 28, 3rd Party Software Within DAW
    • Lesson 29, Summing Audio
    • Lesson 30, Monitoring
    • Lesson 31, Headphones for the Studio
    • Lesson 32, Outboard Effects
    • Lesson 33, Recording Studio Accessories
    • Lesson 34, Studio Instruments
    • Lesson 35, Overview of Recording Process
    • Lesson 36, Recording with Midi
    • Lesson 37, Recording With Line Inputs
    • Lesson 38, Stereo Miking Techniques
    • Lesson 39, Recording Order
    • Lesson 40, How to Record Vocals
    • Lesson 41, How to Record Rap Vocals
    • Lesson 42, How to Record Acoustic Guitar
    • Lesson 43, Record Electric/Bass Guitar
    • Lesson 44, Recording Drums
    • Lesson 45, Recording Drums, Minimal Mics
    • Lesson 46, Record Difficult Instruments
    • Lesson 47, Acoustic Guitar with Vocals
    • Lesson 48, Recording a Full Band
    • Lesson 49, Producing an individual
    • Lesson 50, Mixing and Mastering Overview
    • Lesson 51, E.Q. Basics
    • Lesson 52, Advanced E.Q. Techniques
    • Lesson 53, Compression Basics
    • Lesson 54, Parallel Compression
    • Lesson 55, Multiband Compression
    • Lesson 56, Advanced De-Essing
    • Lesson 57, Mixing Bass Parts
    • Lesson 58, Stereo Spreading and Panning
    • Lesson 59, Reverb
    • Lesson 60, Using Aux Busses
    • Lesson 61, Mixing Drums
    • Lesson 62, Mixing Instrumentals
    • Lesson 63, Mixing Vocals
    • Lesson 64, In the Box, Out of the Box
    • Lesson 65, Rap Vocals to Backing Track
    • Lesson 66, My Mixing Workflow
    • Lesson 67, Mastering for the Home Studio
    • Lesson 68, Preparing for a Session
    • Lesson 69, Vocal Warm Ups
    • Lesson 70, Tube vs Solid State
    • Lesson 71, Mixer Monitor Technique
    • Lesson 72, Miking the Amp vs D.I.
    • Lesson 73, Recording Space Layout
    • Lesson 74, Drums, different types
    • Lesson 75, Hard Drive Management
    • Lesson 76, Power Conditioning
    • Lesson 77, Mid Range = Mud Range
    • Lesson 78, Maximum Isolation Listening
    • Lesson 79, Gain Stages
    • Lesson 80, Room Layout
    • Lesson 81, Ear fatigue
    • Lesson 82, Fidelity of Analog Gear
    • How to Record a band on a budget
    • How to tame a guitar

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